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|  Book Club  The Alumnae Chapter's Book Club meets the first Tuesday of every month to read their latest selection. Past discussions have included "Eat, Pray, Love", "John Adams", "The Friday Night Knitting Club", "Their Eyes Were Watching God", and "Good in Bed". New members are always welcome, and we encourage your recommendations! To suggest a book for an upcoming meeting, to indicate that you will be joining us, to get details about the meeting locations, or to let us know if you will be bringing goodies for the next get-together, please contact Diana Mulderig. Below is the schedule for the Club's upcoming selections:
 December: "Blindness" by José Saramago
In an unnamed city in an unnamed country, a man sitting in his car waiting for a traffic light to change is suddenly struck blind. But instead of being plunged into darkness, this man sees everything white, as if he "were caught in a mist or had fallen into a milky sea." A Good Samaritan offers to drive him home; his wife takes him by taxi to a nearby eye clinic where they are ushered past other patients into the doctor's office. Within a day the man's wife, the taxi driver, the doctor and his patients, and the car thief have all succumbed to blindness. As the epidemic spreads, the government panics and begins quarantining victims in an abandoned mental asylum--guarded by soldiers with orders to shoot anyone who tries to escape. So begins Portuguese author José Saramago's gripping story of humanity under siege, written with a dearth of paragraphs, limited punctuation, and embedded dialogue minus either quotation marks or attribution.  January: "Sense and Sensibility" by Jane Austen
Sense and Sensibility, Jane Austen’s first published novel, tells the story of the lives, loves, and longings of two sisters, the sensitive, romantic Marianne and the practical, even-tempered Elinor. With its extended cast of supporting characters, including the garrulous Mrs. Jennings, the stern Mr. Palmer, and the censorious Mrs. Ferrars, Sense and Sensibility revolves around two narratives: the possible romances of Elinor and Marianne Dashwood and the day-to-day existence of everyone else. The constant anxiety that pervades the story stems from the possibility that the sisters may have to make do with the mundanity of country life, cluttered with gossip, clamor, and superficiality, instead of being swept away by the men of their dreams. In typical Austen fashion we are made aware from the outset that Marianne’s choice of suitor, the dashing and theatrical Willoughby, may be a disaster. Elinor’s more subdued love object, the shy and awkward Edward Ferrars, on the other hand, just might prove himself worthy if he could manage to articulate a full sentence.  February: "The Reader" by Bernhard Schlink
Originally published in Switzerland, and gracefully translated into English by Carol Brown Janeway, The Reader is a brief tale about sex, love, reading, and shame in postwar Germany. Michael Berg is 15 when he begins a long, obsessive affair with Hanna, an enigmatic older woman. He never learns very much about her, and when she disappears one day, he expects never to see her again. But, to his horror, he does. Hanna is a defendant in a trial related to Germany's Nazi past, and it soon becomes clear that she is guilty of an unspeakable crime. As Michael follows the trial, he struggles with an overwhelming question: What should his generation do with its knowledge of the Holocaust? "We should not believe we can comprehend the incomprehensible, we may not compare the incomparable.... Should we only fall silent in revulsion, shame, and guilt? To what purpose?" The Reader, which won the Boston Book Review's Fisk Fiction Prize, wrestles with many more demons in its few, remarkably lucid pages. What does it mean to love those people--parents, grandparents, even lovers--who committed the worst atrocities the world has ever known? And is any atonement possible through literature? Schlink's prose is clean and pared down, stripped of unnecessary imagery, dialogue, and excess in any form. What remains is an austerely beautiful narrative of the attempt to breach the gap between Germany's pre- and postwar generations, between the guilty and the innocent, and between words and silence. | |
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